Sherrie walks into the studio and sees John for the first time. |
It is a bit to take in. Linda walked out a few times and felt that John was standing there when she walked back in. |
This blog is created to document the process of honoring John Turner. Sculptor Bridgette Mongeon is creating a life size sculpture of John that will reside in Heritage Square, Frisco Texas. Follow along as she meets, learns and is inspired by John, his life, family and friends. Your thoughts, photographs and stories are encouraged as they help the artist on her creative journey. Watch over the artists shoulder as she documents her thoughts and process of honoring this wonderful man.
Sherrie walks into the studio and sees John for the first time. |
It is a bit to take in. Linda walked out a few times and felt that John was standing there when she walked back in. |
You can never have enough reference. Along with these I had about 10 movies of walking dogs. |
Adding the dog to the scene was not an easy task. Often sculpting means a little bit of acrobatics. |
Carve, add clay, step back, crawl on the floor, look at reference, carve, add clay, step back cut something off, move it, add clay. This is what I do all day long. |
Just as I moved around John, I moved around the dog, adding clay, carving foam, moving limbs. This is my sculptor's dance. |
Much to do. And remember the harness and John's hand must line up. |
Off with his/her head. After crawling around on the floor, it feel good to sit in a chair and work. |
First I carve the foam carving it to the right design. Slowly I move around and down John. The foam is covered with a foundry wax and a layer of clay. A base coat is added and then thicker layers. |
The other element that is important is of course the dog. We juggle trying to have the room to work on John, and needing the interaction with the dog. |
A visitor. My granddaughter plays with play dough and watches tv while gamma works. |